Hillman Carrying Wood
Many postcards speak to the physical labor that allowed residents of hillstations to warm their homes and cook their food, often leading men and women with permanently bent backs.
Darjeeling
Recollections of Darjeeling
Note how every frame is labelled and the entire ensemble unusually titled "Recollections," which was only occasionally used on multi-view postcards, with "Greetings" the standard term.
Addressed to a Miss H. Scott, c. Dr. J.H.
Greetings from Darjeeling
A very early "Greetings from" postcard composed of no less than five different images, including one of the "Divinity Dance by Lamas" in the bottom left panel.
Dandy
Although the word "dandy" originally referred to boatmen on the Ganges (Hobson-Jobson, 1906, p.
Sun Rise from Tiger Hill
The photographer S. Singh seems to have specialized in real photographs carefully coloured by hand after printing. The anonymous owner of this card wrote on the back: "Sunrise on the sea of clouds as we watch it touch Mt.
Nepali Girls
S. Singh likely printed his own postcards from photographs given the hand-titling, often slightly different on each postcard.
Tibetan Mendicant
An uncommon type of postcard flourished in Darjeeling, with individuals on real-photo black and white postcards carefully silhouetted and then individually hand-painted.
Mt. Everest, Greetings from Darjeeling
A very early postcard of Mt. Everest, probably printed in 1901 or earlier, by Darjeeling's premiere studio, run by the Austrian Thomas Paar.
Mt. Everest, Greetings from Darjeeling
A very early postcard of Mt. Everest, possibly the earliest.
Sent to Jerome Steinback, 341–11th St., Portland, Oregon, U.S.A. and postmarked Feb. 14, 1902 in Darjeeling. [Recto] "2/13/02 Our greetings to you from the most beautiful spot in India –
Greetings from Darjeeling
One can only marvel at the early "Greetings from" postcard, the way five photographs are woven into one image with the help of plant motifs, in this case tree branches but often palm trees for Indian images.
