Jaipur Palace - Inner Portion - H.H. The Maharaja
Maharajah Sawai Madho Singh II (1862-1922) in front of one of his palaces.
Maharajah Sawai Madho Singh II (1862-1922) in front of one of his palaces.
"The High Court's imposing, labyrinthine Indo-Sarcenic buildings, with long corridors, high ceilings, much ornamental tiling, carving and iron-work, beautiful stained glass arches and portrait gallery, is one of the City's landmarks," wrote the late
Known locally as the "Kala Chapra" or "Black Shed," this enormous structure constructed in the late 1920s was considered one of the largest structures in the British Empire.
While the original Tuck's caption can be found here, this one was sent scrawled in purple pencil as if a child's writing but may have been an adult, to Mrs. W.
A nicely composed view of one of the most popular postcards from what was British India's Northwest Frontier Province (NWFP), now known as Khyper Pakhtunkhwa (KPK). Note how the camels flow into the sign and the camel driver is fully visible leading
A rare and exceptional early color postcard by Carl Hagenbeck, the German circus and exotic people's promoter whose fairs throughout continental Europe drew large audiences.
A lithographic card, most likely done by an Indian artist and printed in Britain. Note how nicely the woman is foregrounded from a low angle, with a smaller temple in the background and a swirl of green that helps give life to the portrait.
It is surprising how many brand's have survived since the turn of the century, Colman's Mustard of Norwich in the UK being part of a group that includes Lipton's, Nestle and Singer.
"Hindustani girls" was used to refer to women from "Hindustan," or the broad belt across northern India east of Punjab known as U.P., then "United Provinces" and now "Uttar Pradesh." It would have been a term appropriate to a Peshawar based
A beautiful embossed and hand-tinted card showing the entrance to Harminder Sahib, the holiest of Sikh sites in Amritsar. All the subdued colors on the entrance way were added by hand through stencils, individually on each postcard.