Toddy Drawers
Toddy or palm wine as made from sap collected by climbers like this one in little pouches; fermentation was so fast in the humid air that a mildly alcoholic drink could be had in a few hours.
Postcard
A Parsee Lady
Parsis in India originally came from Iran (Persia), and Parsi ladies were among the first Indian women to have had an active public life, no doubt helped by a high literacy rate in the community (there is a postcard or letter in the woman's hand).
Carting Tea from Factory, Ceylon
The tea industry was so important to Ceylon, that postcards illustrated each step in the process of picking, drying and transporting tea to the harbor at Colombo from where it was shipped abroad.
Water Carrier
The bhistee or water carrier was a critical support to urban life before running water became widespread and reliable, and is one of the most frequent postcard subjects.
Maina Dancing Girls. Jaipur.
This was one of Gobindram Oodeyram's most popular postcards (also called Mohamedan Dancing Girl in other versions). The hand-applied coloring is exceptional – not only the pink, the signature color of Jaipur and the firm's postcards, but also the use
The Mad Minute
A humorous postcard from British Indian army's Waziristan, North West Frontier Province 1919-20 campaign.
Municipal Buildings Bombay
When this postcard was published in 1899, the BMC building as it has come to be known across of Victoria Terminus railway station had been open barely six years.
Lloyds Barrage - Sukkur
Lloyd Barrage is now called the Sukkur Barrage
Lloyd Barrage was opened 1932 in Sind province on the lower Indus River area. It was the largest irrigation project ever undertaken, and brought over 6 million acres under cultivation.
Burma Oil Wells, Yenongyaung
The British discovered that there was an oil industry in Burma even before they got there in 1795, with a number of wells in Yenangyaung in central Burma under the hereditary control of Burmese families.
Types: North-West Frontier of India
This unusual collage was put together from photographs taken over the years by William Dacia Holmes, who ran Holmes studio from 1889 until his death in 1923, and his son William Randolph Holmes who tool over until the studio closed in Peshawar in
