Cooly Woman, Darjeeling.
Although taken in the firm's studio, with the woman posing upright, one can from this portrait and the wooden beam infer the literally backbreaking work hillstation workers endured.
Although taken in the firm's studio, with the woman posing upright, one can from this portrait and the wooden beam infer the literally backbreaking work hillstation workers endured.
S. Singh likely printed his own postcards from photographs given the hand-titling, often slightly different on each postcard.
This postcard is likely based on a portrait by Johnston & Hoffmann of 22 Chowringhee [also Chourangi] Road, Kolkata, one of the most storied photographic firms in British India.
Bhutias are a Sikkimese people of Tibetan ancestry, photographed here most likely in Johnston & Hoffman's Darjeeling studio – compare to A Group of 3 Nepaulese which seems to have the same backdrop.
This rare photograph of Nepalis was likely taken in the hillstation of Darjeeling in a studio.
A very early postcard of Darjeeling which nicely represents, visually, the colonial project: a sprawling European building dominating lush grounds while tiny workers pluck away at tea leaves under the watchful gaze of a man in a solar topee.
[Original caption] Ladakus, on the Thibetan border. These men, who are in reality travelling merchants or hawkers, are natives of Thibet, and during the summer months they journey via Kashmir into the Indian provinces.
An uncommon type of postcard flourished in Darjeeling, with individuals on real-photo black and white postcards carefully silhouetted and then individually hand-painted.
[Original caption] Group of Lamas. The Lamas are priests of the Buddhist religion.
One of the most common postcards from the Darjeeling area. The double loop offers a magnificent view of Darjeeling and Mount Everest. The toy train of Darjeeling is a major draw for tourists and connects Darjeeling to Siliguri in North Bengal.