Woman In Studio
A unusual real photo postcard that is both hand colored and has glitter finely applied to the hems of the woman's dress. She is resting her arm on a magnificent pedestal that suggests a north Indian studio, possibly in Lucknow.
A unusual real photo postcard that is both hand colored and has glitter finely applied to the hems of the woman's dress. She is resting her arm on a magnificent pedestal that suggests a north Indian studio, possibly in Lucknow.
A very simply but effectively hand-tinted card: blue, yellow and a pink hue that connects the babies anklet and mother's right earrings.
Dancers were not named frequently named; unusual too is the purple and white hand-tinting.
A finely hand-tinted postcard and gorgeous display of color.
Perhaps the most popular of the "Greetings from" postcards from India was this "Salaams from" version by the large Delhi publisher, H.A. Mirza & Sons.
Among the more interesting postcards are those showing Indians abroad, in this case serving as police officers in Hong Kong, then also a British possession.
It seems as if the Mughal Emperor Jehanghir's (1569-1627) fondness for wine merited a postcard many centuries later.
While this postcard published in Jaipur may have had nothing directly to do with the Swadeshi movement then taking off in Bengal, the charkha was am emblem of that cause for self-sufficiency and using indigenous materials and processes instead of
A self-published postcard by Miss Barne of St. Ebbas, Madras [Chennai], apparently an amateur painter.
A hand painted postcard of a favorite sport for Indian Maharajahs, British colonial officials and well-heeled tourists.