Bombay Fisherman
For many of the artists in Bombay towards the end of the 19th century, fishermen and women were among the more striking inhabitants of the growing metropolis, visible on the long shorelines, sketched and painted frequently.
Artist-signed postcards by M.V. Dhurandhar (1867-1944), one of the premiere painters and illustrators around the turn of the century. Dhurandhar became the first Indian head of the J.J. School of Arts and where he was employed throughout his career. Most of these color postcards are from 1903-1904, were halftones and printed in Germany by an unknown publisher. Other cards from later in the decade and thereafter were published by Lakshmi Art Printing Press, and others often for advertising purposes by a variety of publishers in India and as far as Zanzibar.
For many of the artists in Bombay towards the end of the 19th century, fishermen and women were among the more striking inhabitants of the growing metropolis, visible on the long shorelines, sketched and painted frequently.
One of the finest of Dhurandhar's postcards, which satirizes and draws attention to the novelty of the postcard – that anyone could read it, including and especially the postman.
This was the postcard M.V. Dhurandhar chose to send to E. Greenwood, his teacher at the J.J.