Secundra, Entrance To Akbar's Tomb
A delicately hand tinted view of Akbar's Tomb outside Agra, built by his son Jehanghir between 1605 and 1613.
A delicately hand tinted view of Akbar's Tomb outside Agra, built by his son Jehanghir between 1605 and 1613.
The publisher seems to speak to the Indian customers with this translation perpendicular to the image, and perhaps educate European ones:
[Recto]"Translation in English from the Arabic written on her tomb"
"He is alone everliving and everlasting".
This tomb to one of the most revered of Muslim religious teachers in Gujarat was completed in the late 15th century.
The Mexican Nobel Prize winner Octavio Paz (1914-1998) served as his country's Ambassador to India in the 1960s, and just before he died left behind a memoir of the country, In Light of India (1995) which has a beautiful description of Humayun's
[Original caption] Humayun's Tomb. The first Mogul emperor buried in India, he was contemporary with Henry VIII and died 1565. His widow built the mausoleum and is buried there too.
Actually above Mir Alam Tank, Hyderabad. An unusual postcard, not only because it is a late lithographic one, but also because the focus is on the rocks, lake and vegetation, the boat and tiny figure standing in the foreground.
[Original caption] Entrance to Akbar's Tomb, Agra. The Mausoleum of the Emperor Akbar who reigned 1488-1518 A.D. is some distance from the cantonment at Agra. On the way to it is a sculptured horse to commemorate a favourite of the Emperor.
The low angle of this splendid postcard of the mid-18th century tomb of Nawab Safderjung seems to widen at the bottom and reach towards the viewer. Note the two figures in white, almost invisible against the whitewash of the pedestal.
The Well at Sultan Nizamuddin in Delhi was constructed in 1321 in honor of Shaikh Nizamuddin Auliya (1236-1325) a SUfi saint who arrived in India long before the Mughals and preached a religion of love and mysticism.
An unusual artist-signed postcard of All Saints Church in Coonoor, established in 1854. Very finely done, it is among the limited examples British amateur artist trying their hand at something often self-published on a postcard.