Saiyad Mobarik Ali, Moolvee (Learned Man)
One of siz postcards in Raphael Tuck & Sons first "Native Life in India" series, which featured the work of an artist with the initials G.E.M. who remains unidentified.
Man
Pattawala (Office Peon)
This image by the Indian painter M.V. Dhurandhar celebrates the rise of a new type of worker in early Mumbai - the peon who worked for a business owner or manager and would ultimately gather some authority by controlling access to his boss.
A Toddy Drawer, Madras
A popular figure specific to early South Indian postcards is the toddy drawer. Palm wine was made from sap collected from trees in little pouches.
Water bearer. Bombay.
A very early India-printed postcard signed by the chief lithographer at the Ravi Varma Press, Paul Gerhardt. Gerhardt was probably aware of Ravi Varma's prize-winning painting that year, Water Bearer, and we know from Raja Varma's diaries - the great
Dhobi (Washerman)
A postmarked version in India from August 16, 1905 of Dhobi Washerman and sent to Mr. u [sp?], 16 Mt. Ararat Rd., Richmond, Surrey [England]." The writing is hard to make out exactly, but it seems to say: "This is Mr. Dierius' Your card Dhobi.
Specimens of Kashmir Carving
One of Fred Bremner's most popular postcards, also titled Specimens of Walnut and Copper Carving, Kashmir. The density of the collotype deepends ones appreciation of the woodworker's lifework.
Postmarked Rawalpindi, 21 Oct.
A Baluchi Hindu
The 1998 census of Pakistan showed that nearly 40,000 Hindus lived in Balochistan, Pakistan's largest province by area, less than half a percent of the population (some claim a larger Hindu population). Most Hindus and Sikhs are well-integrated into
