Like the backs of many Dhurandhar cards, this one bears the blind stamp and price ["A.H.W. Rs. 0-1-0," e.g. 1 anna] of A.H. Wheeler & Co., at 47 Hornby Road, the bookstall chain and contractor for advertising on Indian Railways.
[Original caption] The Museum. As befitting an important town like Bombay, the Museum is, indeed, a very fine one, and contains many valuable collections. [end]
A key figure in the Raj was the punkha boy or man, who pulled the string that moved a fan in a bar or in the sleeping quarters to keep their employers cool.
[Original caption] Pydownie Stree, Bombay (City). Pydownie Street, one of the principal highways of Bombay, is typical of the many animated thoroughfares of this busy city.
From Dhurandhar's earliest postcard series featuring the people of Bombay. Once again, a gesture defines character, with the white space next to the priest space for the sender to write a message.
[Original caption] The Crawford Market, Bombay. This is a famous new market, full of Western goods and local luxuries, and near the Bombay Yacht Club near the pier. [end]
One of the classic Bombay images from the period, this "village scene" with unruly palm trees was reproduced in many formats by Clifton & Co. though it is this collotype version that is the most captivating.
Another striking portrait by the great Indian artist M.V. Dhurandhar (1867-1944). This one was sent in 1905 by an Indian postcard collector, probably in Bombay, who pursued his hobby in a way that gives insight into early collector's fine tastes:
An early view of Bombay by one of its preeminent early postcard publishers. It shows the Rajabai Tower, completed in 1878 on the grounds of the University of Mumbai.
