[Original caption translated] "Indian vehicle harnessed with 2 mules used for refueling [end]. One of many French postcards celebrating Indian troops who fought on the Allied side in World War I. Note the snow on the ground.
A curious postcard, referring to a home or gardens or hotel owned by one Ram Charan Das, described as "a banker, and Honorary Magistrate of Allahabad.
A refreshing portrait of a woman looking straight back at the viewer, not contained by the frame. Most probably from a portrait by Charles Scowen in the 1870s, who photographed the same woman in slightly different poses.
In her Tourist's India (1907), Eustace Alfred-Reynolds Ball writes: "Colonel Durand in his "Making of a Frontier" gives in few words a picturesque yet accurate description of Srinagar from the river : "The town, a huddled mass of lightly-built
Postcards were an important advertising tool for hotels from the mid-1890s, when Alpine hotels in Austria, Germany and Switzerland helped to popularize the medium.
Although the women do look somewhat similar in this set of a dozen Mughal Empresses, they can be identified individually thanks to the Urdu captions beneath each: [From Top Left to Top Right, First Row] Jamila Khatoon W/o [Wife of] Muhammad Mirza,
[Original caption] The Museum. As befitting an important town like Bombay, the Museum is, indeed, a very fine one, and contains many valuable collections. [end]
This postcard was likely printed soon after the construction of the Prince of Wales
An unusual card which shows a woman, presumably a dancer, looking at the the photograph of a man, a self-reflexive trope that may or may not be recognized by us, who hold the postcard in our hands.
Occasionally, nomads — those most fleeting of human subjects and least sedentary inhabitants of our planet—were caught on a postcard.