A finely hand-tinted postcard and gorgeous display of color.
While this postcard published in Jaipur may have had nothing directly to do with the Swadeshi movement then taking off in Bengal, the charkha was am emblem of that cause for self-sufficiency and using indigenous materials and processes instead of
One of the earliest postcards of a Kashmiri nautch girl, this was mailed from Chenna (Madras) on Sept. 17, 1903 to Miss Olive McMillan, St. Augustine's, Cliftonville, Margate, England: "With many Salaams from Mother."
See Clifton & Co.'s version of
Note how carefully this postcard has been hand-tinted, even the studio carpet adding a little depth.
This particular postcard is among the hardest of Gerhardt's early works for The Ravi Varma Press to find, despite the effective use of depth of field to bring life to the scene.
One of the most popular of early nautch postcards, made in many variations by Clifton & Co. As is so often the case, the musician lends colour and evokes the dance even if, in this case, they are probably standing very still in the studio.
This real photo postcard has a "Copyright, Made in Germany" imprint on the back, which was likely printed in India on German postcard-size paper. The watercolor and glitter treatment could also have been done in-house.
Possibly a dancer in a nicely hand-tinted postcard; note the red tip of the plant pointing to the lady.
When Rudyard Kipling visited Mussoorie in the summer 1888, he wrote two verses by hand in a book of photographs in an album of photographs by Alex Hill (now in the Library of Congress in Washington D.C.), which can be found on the website of The