Courtyard India Pavilion
The British Empire Exhibition in 1924 was promoted with many a series of postcards by British publishers, including a series by the artist Ernest Coffin, of which this though unsigned seems to be an example.
The British Empire Exhibition in 1924 was promoted with many a series of postcards by British publishers, including a series by the artist Ernest Coffin, of which this though unsigned seems to be an example.
A storybook shot by Fred Bremner, six people poised in performance, reminding us how much children and women's labor keeps the farm going.
A very early postcard of Darjeeling which nicely represents, visually, the colonial project: a sprawling European building dominating lush grounds while tiny workers pluck away at tea leaves under the watchful gaze of a man in a solar topee.
This image by the Indian painter M.V. Dhurandhar manages to convey a real sense of personality and drama to the situation through the face and gesture of the priest.
Sent to Miss C. Blackwood, R.D. Route No.
A very simply but effectively hand-tinted card: blue, yellow and a pink hue that connects the babies anklet and mother's right earrings.
An exceptional painterly, abstract postcard. Note the ladder at the top.
Dancers were not named frequently named; unusual too is the purple and white hand-tinting.
A finely hand-tinted postcard and gorgeous display of color.
[Verso, handwritten] "C.S.MS Missionary, now retired. So sorry, I forgot to provide stamps on the envelope I posted yesterday. I enclose 2 to make amends. With love A."
Perhaps the most popular of the "Greetings from" postcards from India was this "Salaams from" version by the large Delhi publisher, H.A. Mirza & Sons.