Damayanti was the wife of Nala, the king of Nishadha Kingdom
[Original caption] Being separated from her husband Nala, the fair Damayanti enters her fathers place, yet feeling deeply for her husband, she is represented as sitting in a moon light, her
Buddhism had largely departed India by this time, having flourished between the 3rd century BCE and 13th century CE, but its temples still stood and were frequently subjects of postcards.
The Delhi Durbar of 1911 was one of the most "postcarded" events of the Raj, and the first time a reigning British monarch, George V and his wife Queen Mary (an avid postcard collector) attended.
Ahuja's colorful halftones with inscribed titles are distinctive. His postcards covered not only Burma, but many of the Indian singers and others settled in this British colony loosely attached to the Raj, as well as Indian cities like Amritsar.
Part of a Kashmir series by an unknown British publisher with the unusual "Post Restante" imprint on the back.
Part of an eight card set depicting the same roles but different types who fill them in India and Britain, durwan being defined as "a live-in doorkeeper, especially in an apartment building."
[Original caption] Gwalior Fortress has figured in Indian history since the sixth-century and is situated on a precipitous, flat-topped, isolated sandstone hill, 300 feet above the town.
D. C. Mehra's many Lahore postcards are the most extensive color ones of the city, far larger in number than the Tuck's sets which also included one of the Lahore General Post Office. Right on the Mall, it was designed and built by Sir Ganga Ram,
Missionaries were prolific early publishers of postcards in India, using them for fundraising and general propagation of their work and activities.
Presented by the Women of Bombay Presidency, this postcard was used to raise funds and support the British and Indian troops fighting in Mesopotamia (modern Iraq) against Turkish forces in World War I.
