A clever postcard by master artist M.V. Dhurandhar showing the modernization of fashion among women in his hometown of Bombay. This card was published by D.B.
One of the most popular early postcards of Parsees was this arresting composite portrait by Clifton & Co. The original albumen likely dates to the late 1890s.
An early postcard and theme of Bombay artists, the fisher woman, with a basket of fish on her head. A fishing vessel is in the background, its mast at an angle which adds energy to her pose.
An unusual dark background, and all the women holding hands and looking off slightly to their left.
Postmarked Jaipur, March 23, 1923, and mailed to Mrs. Eagleton, 212 Elmwood Ave., Newark, NY, USA: "Feb.
A slightly unusual portrait of two nautch girls in what seems like a room but is likely a studio given the painted column on the left. The bed is a prop, and the woman seated on the floor is apparently holding a mirror to the woman seated on the bed.
A very early postcard printed in India, most likely by The Ravi Varma Press and drawn by its chief lithographer Paul Gerhardt.
The claim that this is a much extolled Kashmiri beauty is probably true, as this particular woman seems to appear on other postcards from the period. She is wearing the traditional Kashmiri dress, the pheran, and could be wearing a watch on her left
Professional dancing girls were among the most popular early postcard subjects. These two dancing girls are probably from Lucknow as the painting in the studio background on the left recalls the Chutter Manzil in Lucknow.
A very early postcard printed in India (postmarked Dec. 1902 in one instance) by the lithographer W. Cooper. The chance discovery of another photographic postcard shows how a scene like this was composed.