Gardens on the Dahl Lake, Kashmir
Fred Bremner was one of the first postcard publishers of Kashmir, offering numerous cards of the Princely State based on photographs he tool there around 1900.
Bremner
Baramullah, Kashmir.
An almost painterly postcard when one examines the detail in the foreground of men and women workers, pounding and transporting grain; there are even people at the top left doing something under the tree.
View in Sukkur Bazaar
Bremner was among the very earliest postcard publishers of SIndh, and included a handful of views of Sukkur, a town not often photographed by colonial residents.
Rope Bridges, Jhelum River, (Kashmir)
One of Fred Bremner's favorite images, also found in his autobiography. Wandering through Kashmir he wrote ". . . the eye may sometimes rest on a figure slowly gliding through mid-air with no apparent support whatever.
Specimens of Kashmir Carving
One of Fred Bremner's most popular postcards, also titled Specimens of Walnut and Copper Carving, Kashmir. The density of the collotype deepends ones appreciation of the woodworker's lifework.
Postmarked Rawalpindi, 21 Oct.
River Ravi & Bridges of Boats, Lahore
Boat bridges were common in the 19th century; not only the Ravi at Lahore, but the Hooghly in Kolkata, the Indus at Attock were all traversed by ancient boat bridges that rose or were washed away by floods, but could easily be managed and repaired.
Shikarpore Bazaar
This striking image was also published in a 1924 issue of National Geographic magazine. Shikarpur is an ancient ancient trading city; its merchants have traded for centuries with different areas of Central Asia, Afghanistan and Iran.
A Typical Yarkundi
A Central Asian trader who made his way down the slippery, winding routes of the Hindu Kush, Karakoram and Himalayan ranges into Kashmir's valleys.
Natives of Sind, (Amil Rage)
Every person in this literate Hindu caste of administrators in Hyderabad, Sindh is wearing at least one Western article of clothing.
One card, postmarked in Karachi on Nov.
Fruit Market, Quetta
Density, darkness and detail combine in the full collotype effect. Note the tiny markers of European presence like the [Jab]bar Khan Fruit Seller sign in the top left.
